THE SLEEK BUZZ

  Written By Nsikak Ekikor . "Crown of Clay" is a catchy synthesis of a song, narrative and poetic oeuvre which reaffirms the dignity, identity and supremacy of the black race. On its sub-thematic bearing, the song explores the breach of gender dichotomies in contemporary African societies.  On a wider analysis, the smash joint draws its content from two outstanding sources. In the first instance, the literary assertions of the first Generation poets of Negritude cannon of Leopold Sedar Senghor and David Diop influence the Pan-African undertone of the song.  Secondly, the song shares similar philosophical bearing with KvngKila and Mr. Hood's hardcore jam " The Chant ", a song which shows the artistes' lyrical predilections and dexterous penmanship yet exploring the duo's (KiLa and Mr. Hood's) glorification of Africa and its underlying beauties. "Crown of Clay" is a mid-tempo rap collaboration which spins through an impressive duration of fo...

  Eddieroll is embracing individuality and success, but not without acknowledging their many faces. From facing difficulty finding his feet in Ghana to moving back to Nigeria to his involvement in the careers of artists of prospects (scoring a string of hits in the process), and from making an unbelievable switch from the behind-the-scenes guy to the artist whose days are now spent coveting fame, Eddieroll's string of activities to artistic dominance could be made into a blockbuster. For most artists, fame is the invaluable currency; for it allows them to gain entrance into territories previously unreached. Fame, as a means of exchange, allows for the acquisition of worthy valuables and, sometimes, it makes way for the acquisition of vanities. So far, however, Eddieroll's motivator is clearly the first point. When Wida You was released in 2017, none was ready for the havoc and the shift in culture it would put in motion. But years on, Eddieroll's fame and his wielding th...

  2020's identity had trouble written all over it; it was the perfect settlement for unimaginable realities. Even for an ultra-optimist, who relishes the protection of great prospects, 2020 proved that man's propensity to shed layers of hope in the face of uncertainties remains fixed.  As we ruminate on the events of the year engrossed in a pandemic, we see our routines and needs either surviving on the back of improvisation and enterprise or facing annihilation for staying traditional. Apparently, the survival of the music industry depended on the choices it made with available options and, thankfully, it chose to survive. As part of their allegiances to the industry's decision, artists the world over, galvanized by resilience and an availability of technology-aided tools of production, released projects. Indeed, in 2020, where the collapse of businesses littered headline news, the entertainment industry maneuvered its way to survival. On home soil, obvious artists at the ...

Add caption "Flow of Self-worth and Self-narrative: A Stylo-linguistic Appraisal of KvngKiLa's " Dark Clouds". By Nsikak Ekikor. Previous reviews on KiLa's musical oeuvre have largely neglected the concept of style and flow while striving to unravel their semantic import. For this critic, the restriction of musical analysis to its subject matter at the expense of style is not recommendable in that it is the effective manipulation of stylistic devices that lift an ordinary verse to its poetic level. Thus, it is unarguably that there is no true Hip-Hop without style and flow. Ipso facto, a thorough assessment of a rapper's song should embrace its propensity to good style and flow. To emphasis the preponderance of good style, an American Hip-Hop critic, Edwards P. in his publication entitled: "How to Rap": Chicago Review Press, opines that:           " It's all about styles, just the way you're getting           your subject across. If peo...

  "Bars and Lyrics of Breakthrough: A Comprehensive Survey of KvngKiLa's 'Broke Rapper". By Nsikak Ekikor.   Just only when I had virtually stampeded into conclusion that " Payday " will remain the sole track off KiLa's discography deserving of panoramic overview, Bio-ibogomo Numomoipre introduced me to "Broke Rapper"! Barely on its initial listening, the gripping bar appeared groovy with its smash tinge of club bangers yet sounded even more appealing than " Payday " albeit KiLa has never dropped a joint below the aesthetics of classical preference. "Broke Rapper" is deserving of a comprehensive survey in that it has the esoteric quality of the engrossing rendition of the fictional Nightingale cited in the Romantic ode of John Keats. Of course you have known that KiLa and EkazBeats artistic intercourse have never resulted in middling creation or surfacing of less titillating sound. Of course you have known that the outcome o...

  Review of KvngKiLa's "Payday".       Entirely beyond the regular fission of free verse and instrumentals which have characterized a huge percentage of rap outputs in the Nigerian Hip Hop community, KiLa's " Payday " is unarguably an incarnation of classy delivery and dulcet cadence. The EkazBeats skillfully produced intriguing single got the Hip Hop ace and Ghost Records hotshot navigating through illuminated bars like maddened flames razing dried thatches off an age-long hut at the peak of Harmattan in the Coast of Upper Guinea.    For every employee, "Payday" is significant as its arrival provides incentives for one's labour. KiLa's "Payday" chronicles his trying time and subsequent arrival to limelight. The smash hit is a tuneful, timeless, fadeless and flawless masterpiece which would not fail to surpass the classical aesthetics of the most unpleasing audience in terms of lyrics, vocals, melody, originality, instrumentals/be...

  History is what we all eventually become. Our paths are only a determiner of what types of values we leave behind for future generations, or the next player. These values tend to become light on the paths of those who seek a prior authority or guidance. History, although often told by others, is more of a personal endeavour — we take part in certain activities because of how we want to be remembered. Likewise, the avoidance of certain activities is simply hinged on our inherent desires to get a pass mark when life begins to score us. In 2020, Nigerian rapper Kvng KiLa may have had the sands of time on his side, and the feeling of assurance of a place in the history books of the Bayelsan entertainment industry. However, immeasurable measures taken are what construct a lifetime of achievements that supersede generations. Therefore, the consolidation of artistic infinity would depend largely on a lot of far-reaching moves. One of these moves? A look at the rear-view mirror.  So...

Add caption Yawng Boss is your ideal representation of a superstar. Effortlessly, he wears the attire of celebrity. He's so careful not to dent it. When he speaks, his cadence gives inklings of, not where he is, but where he wants to be in years time, a place he ought to be. In his raps, his vocals scream: 'I was made for this shit'. His dress sense, however presented, is always fine-tuned to disclose his suave persona.  Yes, Yawng Boss is a star! He commands uncontested attention wherever he shows up; more than needed to build a solid fact about his artistic affluence, are a concrete proof of his ability to effect atmospheric changes with his presence. Yawng Boss is somewhat the opposite of what many emerging artistes are in that unlike most (emerging) artistes, who put a target to reach, before they feel sophisticated enough to display an ounce of eminence, he doesn't have to wait for the validations of a certain height in his career before he shows you this. Being...

The music industry is an expectant industry, always looking out for new recruits, and at best, it's positioned to honour its recruits with their biggest aspirations. At worst, these recruits are left frustrated. Some, find themselves a new enemy, while others settle in other industries. When push comes to shove artistes have countless times, shown dogma and bravery in the face of adversaries as it concerns their need to thrive and prosper. Finishing well is every artiste's objective.  For old-timers, the knowledge gained over the years becomes the very tool with which they use in maneuvering their ways out of the many predicaments posed by the hustle. And as for new players the concept of hope is all they got. In recent times, artiste ManieMusic has become one of the industry's new entrants.  The artiste (Emmanuel Ajie– real name) who's from Cross River State, but currently based in Lagos has an attitude that is quite embellished with lots of promise. This attitude is ...

Port Harcourt based young and dynamic worship leader, *Dammy Lloyd* has released his debut tittled *"Good God(Omemma)"*. "Good God(Omemma)" is a song that comes from a grateful heart, an expression of appreciation to God's unfailing love, goodness and faithfulness.  The crooner(Dammy Lloyd)  is one of Nigeria's fast-rising music minister at the *Believers Loveworld*. A spirit filled, seasoned and an uncommon worshiper of Christ, with the hope of reaching the world with positive words through the message of Christ Jesus. He is one to look out for in the future.  Good God(Omemma)  will bless your soul. Have an open heart as you listen to this song. Download Good God Here

Chiff Timz's love for his son could not hide. When asked what role his son plays in his life and in that of his artistic journey, he responds in an appreciative manner. He is thankful for life, he is thankful for his audience and he is thankful to whoever has reached out to him with a helping hand. But beyond this thankfulness, Chiff Timz attitude, as it concerns his legacy, is what most are familiar with. It's a force that has remained, helping him stay relevant till this day. 2018 is one year Chiff Timz won't forget in a hurry.  With the roll-outs of Eh Go Better and Caro, Chiff Timz aptly set himself up for the year's glory. Evident of his atypical run, are artiste of the year plaques on his shelve.  The year 2019, although far-spent, offers new and exciting opportunities for Chiff Timz to take, and he seems to be doing that. In an attempt to maintain his 2018 achievements and to exceed them, Chiff Timz released Alpha, his first single for the ...

FRONT: 03:02:01 artwork Earlier on, the Sleek Buzz reported on KiLa and Mr. Legend's collaborative album 03:02:01 : Why it has such a title and other encoded messages it possesses. As once said by KiLa in an interview: "the idea behind 03:02:01 is to foster the spirit of collaboration in the industry. KiLa, on his part, has stayed true to this mission.  The Chant , a song he did with rapper Mr. Hood (who also just released his sophomore project, Hustle & Flow ) pushes further KiLa's Agenda. Also, more recent is KiLa's involvement with Mr. Legend for the latter's new single Savage that dropped days ago. Savage also features one of Bayelsa's stellar/emergent artists, Tobi Rein. BACK: 03:02:01 artwork Speaking further of Mr. Legend , the new kid on the block, his ambitious nature has led him this far. His confidence level is impressive and he has continued to show a steady will to improve. The beauty of 03:02:01 is its 'fi...